Sigma 35mm 14 Art Sony E Mount Review
The 35mm mural for the Sony Eastward-Mount has a wide array of options to choose from, and it's become even more crowded with the recent announcements of Sony's long-awaited FE 35mm f/1.8, and Sigma's make-new ultra-fast 35mm f/one.2 Fe, not to mention Tamron's new 35mm f/2.8. However, at the fast f/ane.4 aperture, in that location are three solid options: the Sony/Zeiss 35mm f/i.4 Distagon, the Samyang 35mm f/1.4 and today's reviewed lens, the Sigma 35mm f/i.4 DG Art.
The Sigma 35mm f/1.4 was the starting time Art lens in Sigma's Global Vision motion that started back in 2012, and when it was released for Canon and Nikon DSLRs, information technology was praised for having the best eyes at the focal length. It's seven years later, and the Sigma 35mm f/i.4 Art is still going potent, and was one of the Art prime lenses that Sigma ported over to the Sony Due east-Mountain. Recently, the lens went on sale, dropping its already attractive $899 price tag to a downright deal $649 toll signal. I snagged this re-create with a coupon lawmaking for B&H, dropping my investment to simply $599 for what many perceive to be a superlative-tier lens.
The Sigma Art primes on Sony E-mount have faced a mixed response. Many lament the large size and weight, given that they are simply the DSLR lens with a longer barrel and new mountain. Some have had issues with autofocus, specially in video. I had been a lilliputian wary of the Sigma 35mm f/one.4 given some of the chatter well-nigh these items. Withal, my fears were unfounded, and since getting the lens, I've grown to think that this lens is massively overlooked inside the Sony E-mount system. Let's become into specifics.
Construction and Handling
If you read a lot of discussion online regarding the Sigma Art primes, a lot of what you lot'll hear is about how large they are. And as a whole, most of them are pretty darn big. All the same, the Sigma 35mm f/ane.iv even so gets described equally huge, and given the competition, I remember it'south a bit of an unfair stigma.
The Sigma 35mm f/1.4 Art is a rather substantial lens. Information technology's long, it's moderately heavy and no one volition error it for unimposing. Still, in comparing to the two other 35mm f/1.four autofocus lenses for Sony Eastward-Mount, it'south much more than similar in size than unlike. The lens is around a quarter-inch longer than the Sony/Zeiss 35mm f/1.four and about 100g heavier. The difference is even less when compared to the Rokinon 35mm f/1.four. So is information technology big? Sure. Is information technology giant? No. To compare to other Sony lenses that I happen to have on paw, it'southward a bit smaller than the Sony Atomic number 26 90mm f/2.viii Macro, as can exist seen below.
The Sigma 35mm f/1.4 is constructed with a mix of metals and plastics, with a tapered metal barrel that leaves clearance for your fingers when in utilise. Information technology feels extremely solid in the paw and has zilch flex anywhere in the lens body. Information technology is a weighty lens, but not so heavy that information technology feels bad-mannered or unwieldy. Of the Sigma Fine art primes, it's the one that balances the all-time on the Sony bodies.
The front of the lens is dominated by the large, safety-gripped focus ring that is very well damped. When I first received the lens, the activeness wasn't super smoothen, and it would very slightly stick when moving it. Over the by few weeks or so of regular utilise, this has loosened upwards to the point where it operates smoothly.
The lens comes with a fairly large plastic petal-shaped lens hood that is reversible for storage. The hood isn't anything special, but is sturdy enough and provides good shading of the front chemical element.
Autofocus
One of the biggest knocks I had read earlier trying the Sigma 35mm f/1.four on Sony was that autofocus was sub-par compared to a native Sony lens. When I first got the lens, it was on the original firmware version, which was indeed a chip slower than ane may exist used to, though I establish it perfectly acceptable for stills shooting. Notwithstanding, Sigma recently released a firmware update that included rather substantial improvements to the autofocus speed.
For stills photography, I've been very impressed. Speed is reasonably quick in single shot AF, and rather fast in continuous AF. While I even so don't think it'south a perfect lens for high-speed action photography, for anything else information technology performs extremely well. When used with EyeAF on the A7 3 and A7R IV, accurateness was outstanding…just absolutely tack sharp focus on the eyes about every time. Accuracy outside of EyeAF was as well very authentic. I take constitute accuracy on the Sigma 35mm f/ane.four to exist better than when I tested the Sony/Zeiss 35mm f/one.four, though to be fair, that was tested on the A7 Ii, which wasn't nearly as expert a focusing camera as the A7 3 or A7R IV.
While Sigma fabricated improvements in speed in video, information technology's still only average at all-time as far as speed and transition smoothness. The bottom line is, for still photography, the Sigma 35mm f/1.4 has very adept autofocus. For video, AF operation is mediocre.
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Source: https://admiringlight.com/blog/review-sigma-35mm-f-1-4-dg-hsm-art-sony-e-mount/
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